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	<title>Positifcinema &#187; Patlabor 2</title>
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	<link>https://www.positifcinema.it</link>
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		<title>MAMORU OSHII: ESISTENZIALISMO NEL MONDO CIBERNETICO</title>
		<link>https://www.positifcinema.it/mamoru-oshii-esistenzialismo-nel-mondo-cibernetico</link>
		<comments>https://www.positifcinema.it/mamoru-oshii-esistenzialismo-nel-mondo-cibernetico#comments</comments>
		<pubDate>Tue, 11 Mar 2014 13:15:09 +0000</pubDate>
		<dc:creator>Andrea Fontana</dc:creator>
				<category><![CDATA[Mamuro Oshii]]></category>
		<category><![CDATA[Sguardi]]></category>
		<category><![CDATA[2001: Odissea nello Spazio]]></category>
		<category><![CDATA[Akai Megane – Red Spectacles]]></category>
		<category><![CDATA[Beautiful dreamer]]></category>
		<category><![CDATA[Blood - The last vampire]]></category>
		<category><![CDATA[Ghost in the Shell]]></category>
		<category><![CDATA[Ghost in the shell 2: Innocence]]></category>
		<category><![CDATA[Hayao Miyazaki]]></category>
		<category><![CDATA[IsaoTakahata]]></category>
		<category><![CDATA[Jinroh]]></category>
		<category><![CDATA[Katsuhiro Otomo]]></category>
		<category><![CDATA[Lamù]]></category>
		<category><![CDATA[Mamoru Oshii]]></category>
		<category><![CDATA[Nagisa Oshima]]></category>
		<category><![CDATA[Patlabor]]></category>
		<category><![CDATA[Patlabor 2]]></category>
		<category><![CDATA[Philip K. Dick]]></category>
		<category><![CDATA[Rin Taro]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Stray Dogs Kerberos panzercops]]></category>
		<category><![CDATA[Talking Head]]></category>
		<category><![CDATA[Tenshi no tamago (Angel’s egg)]]></category>
		<category><![CDATA[Yattaman]]></category>
		<category><![CDATA[Yoshiaki Kawajiri]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=5475</guid>
		<description><![CDATA[<p><img width="300" height="125" src="http://www.positifcinema.it/wp-content/uploads/ghost-in-the-shell-2-300x125.jpg" class="attachment-medium wp-post-image" alt="ghost in the shell 2" /></p><p>Nel 1995 il regista nipponico realizza il suo film più conosciuto, la sua opera più riuscita: <i>Ghost in the shell</i>. Come e più di prima, Oshii gioca sulla compenetrazione di reale e sogno (pubblico/privato, macro/micro) e si diverte a disseminare l’opera di profondi simbolismi ed elementi metaforici.</p>
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