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	<title>Positifcinema &#187; Laurent Barès</title>
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		<title>THE DIVIDE di Xavier Gens</title>
		<link>https://www.positifcinema.it/the-divide-di-xavier-gens</link>
		<comments>https://www.positifcinema.it/the-divide-di-xavier-gens#comments</comments>
		<pubDate>Mon, 06 Aug 2012 11:30:42 +0000</pubDate>
		<dc:creator>Chiara Pani</dc:creator>
				<category><![CDATA[Verboten, Forbidden, Proibito]]></category>
		<category><![CDATA[Visioni]]></category>
		<category><![CDATA[Canada]]></category>
		<category><![CDATA[Dawn Of The Dead]]></category>
		<category><![CDATA[Eron Sheean]]></category>
		<category><![CDATA[Frontiers]]></category>
		<category><![CDATA[George A. Romero]]></category>
		<category><![CDATA[Germania]]></category>
		<category><![CDATA[Hitman]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Jean-Pierre Taieb]]></category>
		<category><![CDATA[Karl Mueller]]></category>
		<category><![CDATA[La Meute]]></category>
		<category><![CDATA[Lauren German]]></category>
		<category><![CDATA[Laurent Barès]]></category>
		<category><![CDATA[Livide]]></category>
		<category><![CDATA[Michael Biehn]]></category>
		<category><![CDATA[Michael Eklund]]></category>
		<category><![CDATA[Milo Ventimiglia]]></category>
		<category><![CDATA[Rosanna Arquette]]></category>
		<category><![CDATA[The divide]]></category>
		<category><![CDATA[Xavier Gens]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=1948</guid>
		<description><![CDATA[<p><img width="300" height="150" src="http://www.positifcinema.it/wp-content/uploads/the-divide-300x150.jpg" class="attachment-medium wp-post-image" alt="the-divide" /></p><p>Lo shock facile, con sequenze piuttosto pesanti, alcune delle quali riuscite, altre troppo studiate e artificiose per convincere. <em>The Divide</em> si è in questo modo guadagnato aggettivi come “disturbante”, “difficilmente sopportabile”, e via discorrendo, riversando quindi il focus sulle dinamiche violente.</p>
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		<title>LIVIDE di Alexandre Bustillo e Julien Maury</title>
		<link>https://www.positifcinema.it/livide-di-alexandre-bustillo-e-julien-maury</link>
		<comments>https://www.positifcinema.it/livide-di-alexandre-bustillo-e-julien-maury#comments</comments>
		<pubDate>Wed, 16 May 2012 09:20:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Verboten, Forbidden, Proibito]]></category>
		<category><![CDATA[Visioni]]></category>
		<category><![CDATA[À l'intèrieur]]></category>
		<category><![CDATA[Alexandre Aja]]></category>
		<category><![CDATA[Alexandre Bustillo]]></category>
		<category><![CDATA[Béatrice Dalle]]></category>
		<category><![CDATA[Catherine Jacob]]></category>
		<category><![CDATA[Clive Barker]]></category>
		<category><![CDATA[Dario Argento]]></category>
		<category><![CDATA[Fabrice Du Welz]]></category>
		<category><![CDATA[Francia]]></category>
		<category><![CDATA[Franck Richard]]></category>
		<category><![CDATA[Frontiers]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[Julien Maury]]></category>
		<category><![CDATA[Laurent Barès]]></category>
		<category><![CDATA[Livide]]></category>
		<category><![CDATA[Lucio Fulci]]></category>
		<category><![CDATA[Marie-Claude Pietragalla]]></category>
		<category><![CDATA[Mario Bava]]></category>
		<category><![CDATA[Martyrs]]></category>
		<category><![CDATA[Pascal Laugier]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Slasher]]></category>
		<category><![CDATA[Suspiria]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=1246</guid>
		<description><![CDATA[<p><img width="300" height="150" src="http://www.positifcinema.it/wp-content/uploads/livide-1-300x150.jpg" class="attachment-medium wp-post-image" alt="livide-1" /></p><p><strong>VERBOTEN, FORBIDDEN, PROIBITO.</strong><br /><em>À l'intèrieur</em> trova in Livide il suo naturale proseguo, rintraccia in <em>Suspiria</em> il suo mai nascosto punto di riferimento, non risparmiandosi però accelerazioni furiose degne del miglior <em>Lucio Fulci</em>. La forza dinamitarda di un cinema imperfetto e allo stesso tempo magistrale.</p>
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