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	<title>Positifcinema &#187; Festa del Cinema di Roma</title>
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		<title>NOCTURAMA di Bertrand Bonello 1/2: We are golden?</title>
		<link>https://www.positifcinema.it/recensione-nocturama-di-bertrand-bonello-1</link>
		<comments>https://www.positifcinema.it/recensione-nocturama-di-bertrand-bonello-1#comments</comments>
		<pubDate>Tue, 11 Jul 2017 22:41:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Report]]></category>
		<category><![CDATA[Visioni]]></category>
		<category><![CDATA[Bertrand Bonello]]></category>
		<category><![CDATA[Festa del Cinema di Roma]]></category>
		<category><![CDATA[Francia]]></category>
		<category><![CDATA[Nocturama]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=6620</guid>
		<description><![CDATA[<p>Bonello, scansando le lusinghe del paternalismo, cuoce a fuoco lento un corpo cinematografico pulsante di membra decomposte, approdando a un’astrazione rarefatta di fine composizione figurativa: la gioventù di <i>Nocturama</i> è una fenice menomata, generazione perduta in partenza già cenere, fuori fuoco, prosciugata di prospettiva all’infuori di un sensazionalistico manifesto di «morte/rinascita».</p>
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		<item>
		<title>NOCTURAMA di Bertrand Bonello 2/2: Our love is a weapon of mass destruction</title>
		<link>https://www.positifcinema.it/recensione-nocturama-di-bertrand-bonello-2</link>
		<comments>https://www.positifcinema.it/recensione-nocturama-di-bertrand-bonello-2#comments</comments>
		<pubDate>Tue, 11 Jul 2017 22:23:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Report]]></category>
		<category><![CDATA[Visioni]]></category>
		<category><![CDATA[Bertrand Bonello]]></category>
		<category><![CDATA[Elephant]]></category>
		<category><![CDATA[Festa del Cinema di Roma]]></category>
		<category><![CDATA[Francia]]></category>
		<category><![CDATA[Nocturama]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=6606</guid>
		<description><![CDATA[<p><img width="266" height="150" src="http://www.positifcinema.it/wp-content/uploads/2017/07/nocturama-2-266x150.jpg" class="attachment-medium wp-post-image" alt="nocturama-2" /></p><p>Raramente una tale padronanza ispirata dell’occhio cinematografico è così coniugata a un’audacia espressiva scevra di motivazioni retoriche e spinte eversive: Bonello ama i suoi protagonisti e il loro mediocre tormento in un calderone esistenziale <em>in progress</em> come quello adolescenziale che di nulla si sa convincere, se non della propria disperazione.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>QUEL CHE (NON) RIMANE DI VENEZIA 2012</title>
		<link>https://www.positifcinema.it/quel-che-non-rimane-di-venezia-2012</link>
		<comments>https://www.positifcinema.it/quel-che-non-rimane-di-venezia-2012#comments</comments>
		<pubDate>Sat, 15 Sep 2012 00:42:57 +0000</pubDate>
		<dc:creator>Pierre Hombrebueno</dc:creator>
				<category><![CDATA[Report]]></category>
		<category><![CDATA[Venezia 2012]]></category>
		<category><![CDATA[300]]></category>
		<category><![CDATA[Anurag Kashyap]]></category>
		<category><![CDATA[Ben Affleck]]></category>
		<category><![CDATA[Bernardo Bertolucci]]></category>
		<category><![CDATA[Brillante Mendoza]]></category>
		<category><![CDATA[Britney Spears]]></category>
		<category><![CDATA[David Bowie]]></category>
		<category><![CDATA[Dennis Quaid]]></category>
		<category><![CDATA[Disconnected]]></category>
		<category><![CDATA[Festa del Cinema di Roma]]></category>
		<category><![CDATA[Fill the void]]></category>
		<category><![CDATA[Gli equilibristi]]></category>
		<category><![CDATA[Gli uomini preferiscono le bionde]]></category>
		<category><![CDATA[Harmony Korine]]></category>
		<category><![CDATA[Henry-Alex Rubin]]></category>
		<category><![CDATA[Io e te]]></category>
		<category><![CDATA[Ivano De Matteo]]></category>
		<category><![CDATA[James Franco]]></category>
		<category><![CDATA[Joaquin Phoenix]]></category>
		<category><![CDATA[Kim Ki-duk]]></category>
		<category><![CDATA[Kiyoshi Kurosawa]]></category>
		<category><![CDATA[La cinquiéme saison]]></category>
		<category><![CDATA[La sedia elettrica]]></category>
		<category><![CDATA[Mani Ratnam]]></category>
		<category><![CDATA[Mankiewicz]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Nora Aunor]]></category>
		<category><![CDATA[Paul Thomas Anderson]]></category>
		<category><![CDATA[Penance]]></category>
		<category><![CDATA[Pieta]]></category>
		<category><![CDATA[Shokuzai]]></category>
		<category><![CDATA[Space Oddity]]></category>
		<category><![CDATA[The ghost and Mrs Muir]]></category>
		<category><![CDATA[The Master]]></category>
		<category><![CDATA[Thy womb]]></category>
		<category><![CDATA[Venezia 69]]></category>
		<category><![CDATA[Viale del tramonto]]></category>
		<category><![CDATA[Watchmen]]></category>
		<category><![CDATA[Zac Efron]]></category>
		<category><![CDATA[Zack Snyder]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=2212</guid>
		<description><![CDATA[<p><img width="226" height="150" src="http://www.positifcinema.it/wp-content/uploads/venezia-2012-kim-ki-duk-pieta-226x150.jpg" class="attachment-medium wp-post-image" alt="venezia-2012-kim-ki-duk-pieta" /></p><p>Nè punk nè fiaba, forse esattamente quel buco nero lasciato dai lavori in corso, quest'anno parzialmente coperte ma sempre ferita aperta, quella di un cambio gestione che ha fatto sentire la sua voce in maniera indelebile: non siamo troppo estremisti quando diciamo che questa è qualitativamente la peggior mostra...</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THIS IS ENGLAND di Shane Meadows</title>
		<link>https://www.positifcinema.it/this-is-england-di-shane-meadows</link>
		<comments>https://www.positifcinema.it/this-is-england-di-shane-meadows#comments</comments>
		<pubDate>Wed, 14 Sep 2011 04:44:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Shane Meadows]]></category>
		<category><![CDATA[Verboten, Forbidden, Proibito]]></category>
		<category><![CDATA[Visioni]]></category>
		<category><![CDATA[American History X]]></category>
		<category><![CDATA[Andrei Shim]]></category>
		<category><![CDATA[Festa del Cinema di Roma]]></category>
		<category><![CDATA[Inghilterra]]></category>
		<category><![CDATA[Islands in the Street]]></category>
		<category><![CDATA[Jo Hartley]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Martin Sanchez Jankowski]]></category>
		<category><![CDATA[Romper Stomper]]></category>
		<category><![CDATA[Skinhead]]></category>
		<category><![CDATA[Stephen Graham]]></category>
		<category><![CDATA[This is England]]></category>
		<category><![CDATA[Thomas Turgoose]]></category>
		<category><![CDATA[UK]]></category>
		<category><![CDATA[Verboten Forbidden Proibito]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/wp3/?p=657</guid>
		<description><![CDATA[<p><img width="224" height="150" src="http://www.positifcinema.it/wp-content/uploads/thisisengland1-224x150.jpg" class="attachment-medium wp-post-image" alt="thisisengland1" /></p><p><strong>VERBOTEN, FORBIDDEN, PROIBITO.</strong><br />Alzi la mano chi non sia convinto che le teste rasate non siano altro che un gruppo di ubriaconi antisemiti, un branco di “teste vuote e ossa rotte” dedite al culto della svastica con l’inclinazione naturale a menar le mani. Niente di più sbagliato invece, e <em>Shane Meadows</em> lo sa.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>UN&#8217; ALTRA GIOVINEZZA di Francis Ford Coppola</title>
		<link>https://www.positifcinema.it/un-altra-giovinezza-di-francis-ford-coppola</link>
		<comments>https://www.positifcinema.it/un-altra-giovinezza-di-francis-ford-coppola#comments</comments>
		<pubDate>Sun, 04 Nov 2007 01:16:24 +0000</pubDate>
		<dc:creator>Luca Lombardini</dc:creator>
				<category><![CDATA[Visioni]]></category>
		<category><![CDATA[Alexandra Maria Lara]]></category>
		<category><![CDATA[Apocalypse Now]]></category>
		<category><![CDATA[Bruno Ganz]]></category>
		<category><![CDATA[Festa del Cinema di Roma]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[L'esorcista]]></category>
		<category><![CDATA[Mircea Eliade]]></category>
		<category><![CDATA[Robert Bresson]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Tim Roth]]></category>
		<category><![CDATA[Un'altra giovinezza]]></category>
		<category><![CDATA[Yasujiro Ozu]]></category>
		<category><![CDATA[Youth without Youth]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=2062</guid>
		<description><![CDATA[<p><img width="226" height="150" src="http://www.positifcinema.it/wp-content/uploads/altra-giovinezza-coppola-226x150.jpg" class="attachment-medium wp-post-image" alt="altra-giovinezza-coppola" /></p><p>Per cercare di spiegare cosa ha rappresentato veramente <em>Youth</em><em> without Youthv</em>per la seconda edizione de La festa del cinema di Roma, bisogna necessariamente partire dalla fine. Da quell’imbarazzante, eterna e snervante attesa durata un minuto circa, che ha separato l’ultimo dei titoli di coda dall’inizio...</p>
]]></description>
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