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	<title>Positifcinema &#187; Abdellatif Kechiche</title>
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		<title>Venezia 2017: Mektoub, My Love di Abdellatif Kechiche (in concorso)</title>
		<link>https://www.positifcinema.it/venezia-2017-mektoub-my-love-di-abdellatif-kechiche-in-concorso</link>
		<comments>https://www.positifcinema.it/venezia-2017-mektoub-my-love-di-abdellatif-kechiche-in-concorso#comments</comments>
		<pubDate>Fri, 08 Sep 2017 18:57:24 +0000</pubDate>
		<dc:creator>Laura Delle Vedove</dc:creator>
				<category><![CDATA[Report]]></category>
		<category><![CDATA[Venezia 2017]]></category>
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		<category><![CDATA[Abdellatif Kechiche]]></category>
		<category><![CDATA[Francia]]></category>

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		<description><![CDATA[<p>Così distanti e così vicini a<em> La Vie d’Adele</em>, Kechiche è uno dei massimi cineasti del contemporaneo, il suo occhio immersivo per forme e hic et nunc lo rende incapace di confezionare una ballata che sia stonata, sgraziata, <i>brutta</i>. Eppure...</p>
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		<title>A.A.A. Cercasi spray anti-asma: I SEGRETI DI OSAGE COUNTY di John Wells</title>
		<link>https://www.positifcinema.it/recensione-i-segreti-di-osage-county-di-john-wells</link>
		<comments>https://www.positifcinema.it/recensione-i-segreti-di-osage-county-di-john-wells#comments</comments>
		<pubDate>Fri, 31 Jan 2014 17:17:54 +0000</pubDate>
		<dc:creator>Pierre Hombrebueno</dc:creator>
				<category><![CDATA[Visioni]]></category>
		<category><![CDATA[Abdellatif Kechiche]]></category>
		<category><![CDATA[Chris Cooper]]></category>
		<category><![CDATA[Ewan McGregor]]></category>
		<category><![CDATA[I segreti di Osage county]]></category>
		<category><![CDATA[John Wells]]></category>
		<category><![CDATA[Julia Roberts]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[Tracy Letts]]></category>
		<category><![CDATA[usa]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=5310</guid>
		<description><![CDATA[<p><img width="266" height="150" src="http://www.positifcinema.it/wp-content/uploads/osage-county-266x150.png" class="attachment-medium wp-post-image" alt="osage county" /></p><p>Il sopravvento dell'impalcatura teatrale: <em>John Wells</em> non ha nulla da raccontare e costruisce i suoi momenti sul vuoto più ripetitivo, nonostante la presenza di una <em>Meryl Streep</em> anticristo della quiete e forza catalizzatrice dell'affresco.</p>
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		<title>PALMA D&#8217;ORO 2013: LA VIE D&#8217;ADÈLE di Abdellatif Kechiche</title>
		<link>https://www.positifcinema.it/palma-doro-2013-la-vie-dadele-di-abdellatif-kechiche</link>
		<comments>https://www.positifcinema.it/palma-doro-2013-la-vie-dadele-di-abdellatif-kechiche#comments</comments>
		<pubDate>Fri, 25 Oct 2013 11:46:32 +0000</pubDate>
		<dc:creator>Giampiero Raganelli</dc:creator>
				<category><![CDATA[In sala]]></category>
		<category><![CDATA[Visioni]]></category>
		<category><![CDATA[Abdellatif Kechiche]]></category>
		<category><![CDATA[Adèle Exarchopoulos]]></category>
		<category><![CDATA[Cannes 2013]]></category>
		<category><![CDATA[Francia]]></category>
		<category><![CDATA[Io & Annie]]></category>
		<category><![CDATA[Io e Annie]]></category>
		<category><![CDATA[Jeremie Lahuerte]]></category>
		<category><![CDATA[Julie Maroh]]></category>
		<category><![CDATA[La schivata]]></category>
		<category><![CDATA[La vie d'Adèle]]></category>
		<category><![CDATA[Le Bleu est une couleur chaude]]></category>
		<category><![CDATA[Léa Seydoux]]></category>
		<category><![CDATA[Palma d'oro]]></category>
		<category><![CDATA[Palma d'oro 2013]]></category>
		<category><![CDATA[Venere Nera]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=4973</guid>
		<description><![CDATA[<p><img width="230" height="150" src="http://www.positifcinema.it/wp-content/uploads/la-vie-dadele-home-230x150.jpg" class="attachment-medium wp-post-image" alt="la vie d&#039;adele home" /></p><p>Un <em>Io &#38; Annie</em> trasposto tra gli adolescenti odierni in chiave lesbica: <em>Kechiche</em> tiene il fiato sul collo ai suoi personaggi, li scandaglia con una macchina a mano che mostra perennemente i primissimi piani dei loro volti. Una generazione che delinea per il suo pragmatismo plasmato dalla crisi.</p>
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		<item>
		<title>PALMA D&#8217;ORO: LA VIE D&#8217;ADÈLE di Abdellatif Kechiche</title>
		<link>https://www.positifcinema.it/palma-doro-la-vie-dadele-di-abdellatif-kechiche</link>
		<comments>https://www.positifcinema.it/palma-doro-la-vie-dadele-di-abdellatif-kechiche#comments</comments>
		<pubDate>Wed, 29 May 2013 11:20:16 +0000</pubDate>
		<dc:creator>Giampiero Raganelli</dc:creator>
				<category><![CDATA[Report]]></category>
		<category><![CDATA[Visioni]]></category>
		<category><![CDATA[Abdellatif Kechiche]]></category>
		<category><![CDATA[Adèle Exarchopoulos]]></category>
		<category><![CDATA[Cannes 2013]]></category>
		<category><![CDATA[Francia]]></category>
		<category><![CDATA[Io & Annie]]></category>
		<category><![CDATA[Io e Annie]]></category>
		<category><![CDATA[Jeremie Lahuerte]]></category>
		<category><![CDATA[Julie Maroh]]></category>
		<category><![CDATA[La schivata]]></category>
		<category><![CDATA[La vie d'Adèle]]></category>
		<category><![CDATA[Le Bleu est une couleur chaude]]></category>
		<category><![CDATA[Léa Seydoux]]></category>
		<category><![CDATA[Palma d'oro]]></category>
		<category><![CDATA[Palma d'oro 2013]]></category>
		<category><![CDATA[Venere Nera]]></category>

		<guid isPermaLink="false">http://www.positifcinema.it/?p=3753</guid>
		<description><![CDATA[<p><img width="230" height="150" src="http://www.positifcinema.it/wp-content/uploads/la-vie-d-adele-1-230x150.jpg" class="attachment-medium wp-post-image" alt="la-vie-d-adele-1" /></p><p>Un <em>Io &#38; Annie</em> trasposto tra gli adolescenti odierni in chiave lesbica: <em>Kechiche</em> tiene il fiato sul collo ai suoi personaggi, li scandaglia con una macchina a mano che mostra perennemente i primissimi piani dei loro volti. Una generazione che delinea per il suo pragmatismo plasmato dalla crisi.</p>
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